Italian-Australian filmmaker Flaminia Romani is building an increasingly international career at the intersection of directing, cinematography and camera work. With a background spanning Italy, the United States and Australia, Romani brings together formal filmmaking education, narrative experience and a particular dedication to the visual language of cinema.
Her approach is defined by a belief that filmmaking is not simply about recording a story, but about creating a visual world in which that story can exist.
Romani’s professional profile encompasses film directing, cinematography and camera operation, with her work extending across narrative and independent filmmaking. Her affiliations with the Australian Cinematographers Society (ACS), Society of Camera Operators (SOC), Australian Directors Guild (ADG), Australian Writers’ Guild (AWG), and Screen Producers Australia (SPA) reflect the breadth of her professional interests and her commitment to the wider filmmaking community.
A foundation built through international film education
Romani’s cinematic perspective has been shaped by nine years of specialised formal filmmaking education.
She holds a Master’s Degree in Filmmaking from Link Campus University of Rome and a Bachelor’s Degree in Filmmaking from the American University of Rome. Her education across different international environments provided a foundation in directing, cinematography, screen storytelling and the technical disciplines of production.
That combination remains central to her professional identity today.
Rather than separating the creative and technical sides of filmmaking, Romani approaches them as complementary disciplines. Her experience behind the camera informs her directing, while her understanding of narrative informs the way she approaches cinematography and camera movement.
The camera as a language
For Romani, cinematography is more than aesthetics.
The camera can determine how an audience experiences a character, a space or a moment. Composition, movement, perspective, light and visual rhythm become part of the storytelling itself.
Her professional connection with the ACS and SOC reflects this strong camera-oriented dimension of her career. As both a filmmaker and camera professional, she is interested in the relationship between technical precision and creative intention.
This dual perspective is increasingly important in contemporary filmmaking, where directors and cinematographers are expected to understand not only the emotional requirements of a scene but also the sophisticated technologies and workflows through which contemporary images are created.
From independent cinema to an international ambition
Among Romani’s filmmaking credits is SPUD, a short film associated with Tropfest, an important milestone within Australia’s independent short-film culture.
Her body of work also includes Quasi una fantasia, a 25-minute film created during her studies at Link Campus University of Rome. Shot inside the university’s historic Casale di San Pius V, the project reflects her continuing interest in narrative filmmaking and cinematic atmosphere.
Other visual material, including the Like a Fantasy trailer, forms part of a broader portfolio demonstrating her work across directing, cinematography and visual storytelling.
These projects are part of a trajectory rather than isolated achievements: together they document the development of a filmmaker whose interests consistently return to image, atmosphere, character and narrative.
An Italian-Australian perspective
Romani’s international background is central to her identity as a filmmaker.
Her Italian heritage and European filmmaking education intersect with her professional base in Australia, creating a perspective that does not belong exclusively to one filmmaking tradition.
Australia has become an important part of her professional development, while her European background continues to inform her cinematic sensibility. At the same time, Romani is looking increasingly toward international collaborations and representation, with ambitions extending across Europe, the United Kingdom, the United States and Asia.
This international direction is reflected in her interest in working with production companies, agencies, managers and creative collaborators beyond a single national market.
Beyond a single title
One of the defining characteristics of Romani’s career is that she does not see herself through one professional title alone.
She is a director, cinematographer and camera professional, with each discipline informing the others.
That multidimensional approach allows her to move between creative and technical environments and to understand a production from several perspectives. The director’s responsibility for the story, the cinematographer’s responsibility for the visual language and the camera professional’s command of movement and operation can converge within the same creative practice.
For Romani, this is not a question of choosing between disciplines. It is about understanding how they work together.
A new chapter with Sherry Rousso Associates
A significant new chapter in Romani’s professional development is her representation by Sherry Rousso Associates.
Flaminia Romani has signed with Sherry Rousso Associates, strengthening the international dimension of her career and supporting her continued pursuit of opportunities across directing, cinematography and camera work.
The representation marks an important step as Romani expands her professional presence and develops relationships within the international film and entertainment industry. It reflects the direction of a filmmaker whose ambitions extend beyond a single market and whose multidisciplinary background allows her to engage with productions from both creative and technical perspectives.
With this new representation, Romani enters the next stage of her career with a focus on international collaboration, narrative filmmaking and the continued development of her visual language.
The next chapter
Romani is now focused on developing the next stage of her career through international opportunities in directing, cinematography and camera work, while continuing to expand her relationships within the global film industry.
Her trajectory reflects a filmmaker who has invested heavily in education and craft and who is now seeking opportunities on a broader international stage.
With a foundation in European filmmaking, professional experience in Australia, recognition through independent work, professional affiliations spanning directing, writing, cinematography and camera operation, and representation by Sherry Rousso Associates, Romani represents a contemporary kind of filmmaker: international in outlook, multidisciplinary in practice and deeply focused on the visual power of cinema.
Her career is still developing, but the direction is clear. At its centre is the camera — not simply as a technical instrument, but as one of the primary languages through which a filmmaker can shape emotion, perspective and story.
Flaminia Romani’s next chapter is about taking that language further.
About Flaminia Romani
Flaminia Romani is an Australian-Italian filmmaker working across directing, cinematography, camera operation, writing and production. With a foundation in formal film education and professional experience spanning creative and technical aspects of filmmaking, she is developing a distinctive cinematic practice focused on visual storytelling, atmosphere, emotion and the evolving language of contemporary cinema.
Flaminia Romani
Phone: +61 435 178 843